I was sixteen.
"Can you teach me how to make a pair of earrings, Dad?"
And so it started there.
We had recently moved from St Ives to a farmhouse outside Penzance and Dad had converted the garage into a jewellery workshop. He taught all of us kids how to solder, melt down scrap silver, drill beads and cut sheet metal. We all had fun, but I was the only one who wanted to stick at it. When I came home from university, in the holidays, I was always pestering Dad to teach me something new.
After some years of living in London, I moved back to Cornwall. I was lucky enough to work with Breon, one day a week, for three years, before he gave up making jewellery. That was an amazing apprenticeship.
He once said,
"When you are making jewellery, you end up with odd beads that you keep in a box. I used to get Duibhne to make up some necklaces from these beads, and she put them together so well that I used to sell them as my own!"
I think that this experience led me to create my assorted beaded necklaces. I place bead by bead, thinking of the overall result wanted, but sometimes sneaking in an unexpected colour combination to liven things up.
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Duibhne Gough, E1View more details
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Duibhne Gough, E2View more details
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Duibhne Gough, E3View more details
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Duibhne Gough, E4View more details
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Duibhne Gough, E5View more details
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Duibhne Gough, E6View more details
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Duibhne Gough, E7View more details
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Duibhne Gough, E8View more details
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Duibhne Gough, E9View more details
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Duibhne Gough, E10View more details
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Duibhne Gough, E11View more details
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Duibhne Gough, E12View more details
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Duibhne Gough, N6View more details
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Duibhne Gough, N4View more details
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Duibhne Gough, N1View more details
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Duibhne Gough, N2View more details
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Breon O'Casey's works in the V&A collection
Click here to explore Breon O'Casey's works held in the prestigious collection of the Victoria & Albert Museum, two of which are currently on display in The William and Judith Bollinger Gallery. -
The jewels of their trade
Click here to read the full article published in the Irish Sunday Independent in May 2008, from which the text in this exhibition has been extracted.
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